Extra Hour is an extended party format by Munich record label Different Times and Munich based design-studio Naiv Studios that starts off and marries afterhour bliss & dayrave delights from the early morning hours right into the afternoon. At the core: a thrilling lineup featuring discerning touring artists & guests, spirited newcomers, and talented locals across both the BLITZ and PLUS floors.
Boasting unique lighting setups and unorthodox PLUS floor curations, Extra Hour is set to be a very special experience at Blitz! We’re happy to have the series at Blitz after a number of parties at various different locations in Munich. There’s a lot planned for Saturday the 5th of April and we took the chance to catch up with the Extra Hour team to find out how the event series developed and what they plan to do at Blitz.
Find out more about Extra Hour and it’s lineup here – and don’t forget to save a ticket in advance.
Presale / More Infos / Extra Hour on Instagram
What does Extra Hour stand for? When is “the” Extra Hour?
The story behind the name is actually quite fun: when Different Times and Naiv Studios decided to team up for the first time, we wanted to launch with something special. Our first event was scheduled for the night of the daylight saving time change—giving us an actual extra hour to extend the experience. That hour became symbolic for us. Extra Hour is not just about a longer party but about shifting the concept of time itself, creating an experience that transcends a regular club night. At Blitz, this becomes even more tangible, as we push the event further into the morning—allowing people who prefer to party in the early hours to join in. Our goal is to create a club experience that stretches the usual boundaries and plays with the perception of time.
How did the first collaboration and the formation of the Extra Hour team come about?
See the first answer! Extra Hour was born from the realization that we shared a vision—one that extended beyond just another club night. We wanted to create something immersive, something that allows people to experience time differently. Our first party, happening on the night of the time change, set the perfect foundation for what we wanted to build.
After many collaborations, it felt natural to take the next step. Extra Hour represents the fusion of Different Times and Naiv Studios—a symbiosis of music curation and set as well as stage design. The idea of blending these elements carefully is at the heart of what we do.
Why is Extra Hour such a long event?
We’re not in our early 20s anymore, and we’ve noticed how much people appreciate events that aren’t strictly limited to nighttime. There’s a lot of enthusiasm for parties that also happen during the day or in the morning, offering a different kind of energy.
The idea of a regular 11 PM to 5 AM event stressed us out. The closing is so close! No time to tell a story. It lacks the feeling of getting lost. Things develop more naturally in an over 10-hour event—no hurries, and interactions are more organic.
At the same time, we sometimes miss the possibility of longer events in Munich—ones that stretch beyond the usual club night. We take inspiration from Sundays at Berghain, where the mix of people who have been partying all night and those arriving fresh creates a unique atmosphere. That kind of energy, where different crowds merge and the vibe transforms, is something we want to bring into our own concept. We’ve also planned some special features to enhance this experience.
Extra Hour brings together night owls and those with a 9-to-5 schedule. How do you accommodate these different social contrasts in your programming and design?
That’s exactly what we aimed to address. We wanted to create an experience that isn’t dependent on whether someone works a 9-to-5 or has a more flexible schedule—everyone is welcome, and everyone has the opportunity to join in at a time that suits them.
To make this possible, we carefully design our lineup to create a natural flow—so that whenever someone arrives, they can be drawn into the experience seamlessly. The dynamics of the party are key to keeping people engaged.
However, we fully recommend coming early and appreciating the full experience. Beyond the music, we also focus on creating a space where people can interact.
Light and spatial design have always been integral to club culture. You’ve hosted events in venues like Zirka, which is a much more open space compared to the thoroughly conceptualized Blitz Club. What are the challenges and potentials of open spaces versus dedicated club venues like Blitz?
For us, every venue is a new challenge, and we always develop a custom concept tailored to the space. Fortunately, Naiv Studios brings a wealth of expertise in this area. It also helps that we’re deeply involved in the scene and have gathered a lot of personal experience along the way. Our focus is always on creating the best possible experience.
At Zirka, we leaned into a warehouse-style aesthetic, whereas Kunstlabor had a more uplifting, colorful vibe. But our approach is always “less is more”—we aim to create strong accents without overloading the space.
Another key element is not glorifying the DJ but integrating them into the party in a way that shifts the dynamic on the dancefloor. At the same time, we ensure there are areas where people can step away, have conversations, and lose track of time. Blitz, of course, is a different story—it’s an already well-established club with a strong identity. Our challenge here is to bring in a fresh perspective and introduce new energy.
What’s planned at Blitz Club—both musically and in terms of spatial design?
We have quite a few things planned! The PLUS Floor will be transformed into a listening space during the night, and the BLITZ floor will be set up with an enhanced lighting installation. In the morning, the entire atmosphere will shift into something different—warmer, with house-infused sounds to create a smooth transition into the day.
Musically, we’re structuring the night to build momentum. The BLITZ Floor will feature a thrilling lineup where each artist gets the chance to showcase their individual talent while still fitting into the bigger picture. We don’t want to single anyone out—it’s all about the overall journey. On the PLUS Floor, we’re creating a proper chill-out area with special seating arrangements—somewhere to take a breather and reset. And as the morning unfolds, the vibe will once again transform into something fresh.
Andy Warhol once said about Studio 54: > Time stops here, and space takes over. < How does this relate to Extra Hour?
That quote could pretty much be our slogan. We want to give people the feeling of stepping into a parallel world where different rules apply. Time doesn’t matter anymore—only the space and the moment they’re in. It’s going to be intense.
Could Extra Hour work as an open-air & festival concept, too?
Definitely! We’ve already had a few inquiries, and we can absolutely see it happening. As a standalone floor at a festival, our concept would work really well. Lighting plays a huge role in what we do, and outdoor events offer entirely new possibilities in that regard. We’re also very open to exploring unconventional locations—industrial areas, unexpected outdoor spots, you name it. If anyone has wild ideas, we’d love to hear them!
What does the future hold for Extra Hour?
We’re definitely planning to develop the concept further in Munich, but we’re also mindful of keeping it special. Our philosophy is > less is more <—we don’t want to overdo it, but rather focus on a few standout events that really make an impact. At the same time, we’re already looking at bringing Extra Hour to other cities. There’s a lot to come—stay tuned
And finally, our classic closing question: What track is currently on repeat for you?
That’s always a tough one! The best way to find out? Come to the party and hear it for yourself.
