I got this album a couple of weeks ago from my friend nd_baumecker. I really like it a lot and listend to it many times already. It sounds brilliant on the Blitz sound system. The artwork is stunning as well.“
– Muallem

We’re taking a trip to the Olympic Lake – or more precisely to the beautiful Capri Bar – for a very special one-off event.
DJ extraordinaire, producer and Innervisions boss Dixon, label lynchpin Marcus Worgull and rising DFA cohort Perel  will step up for two unerring sets; at Capri in the evening, followed by Blitz at night. There will be bus shuttles from Olympic Park to BLITZ.
A limited number of Kombi-Tickets is available <here>.

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Wir machen einen Ausflug in den Olympiapark – genauer gesagt zur wunderschönen Capri Bar auf dem Olympiasee – für einen ganz besonderen Anlass.
DJ extraordinaire, Produzent und Innervisions-Chef Dixon, Labelkollege Marcus Worgull und die DFA-Durchstarterin Perel werden mit je zwei meisterlichen Sets antreten; erst abends in Capri, dann nachts im Blitz. Es werden ab 23:30 Uhr Bus-Shuttles vom Olympiapark zum BLITZ Club fahren.
ACHTUNG: Kombi-Tickets für Open Air & Clubshow sind auf 500 Stück limitiert.

Inside Out: Blitz Capri Open Air & Clubshow 
w/ Dixon, Marcus Worgull, Perel
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>> Blitz Open Air
Einlass: 17.00Uhr
Venue: Saluti di Capri, Olympia See, 80809 Munich
17.00 – 18:30 Perel Hybrid Set
18.30 – 20.00 Marcus Worgull
20.00 – 22.00 Dixon

>> Blitz Clubshow
Einlass: 23.00Uhr
Venue: Blitz Club, Ludwigsbrücke (Museumsinsel 1)
00.00 – 02.30 Perel Dj Set
02.30 – 05.00 Dixon
05.00 – 08.00 Marcus Worgull

„A classic I simply never ever get tired off!“
– Delta Funktionen

„To be honest I slept on this until I heard the first track of the album played by upsammy (who by the way is an amazing DJ you should definitely check out) at Robert Johnson a few months back. It completely blew me away so I had to ask what it is. I instantly checked if it’s still available and was surprised that most retailers still had it on stock. Apparently I was not the only one sleeping on it, hahaha. I purchased one copy straight and another one a few weeks later when i stumbled across it again during some casual record shopping at Vary in Leipzig. Since then I listened to it uncountable times and it still grows on me with every spin i give it. Some guy who reviewed it on his blog found the right words: „I’ve listened to this tonnes – to work out if I really love it as much as I think I do. And I do. It surpasses its hype. How many records in this vein peter out and chase their own tails into some kind of beatless abstract AMBIENT finale? This one does the opposite – as it progresses it gets wonkier, more aggressive and opens up its own sound palette. By the end you start thinking this guy has it all. How can „Triangulate Dither Night“ be the last track on side C of an album that begins as it does? (sort of Boards Of Canada re-imagined by a speeding RDJ) – this is why it’s a must have. And listen to the last track: is this the strongest last section of any album in recent memory?“
– Candy Pollard

Since ten years David Goldberg has been composing and writing music within the electronic spectrum. As part of the bustling SVS collective and also doing his studies of conceptual art and sculpting at the academy of fine arts, he’s always been moving beyond borders and disciplines. His current release EMO Serialism on Molten Moods just got premiered via Groove Magazine yesterday and got some marvelous reviews via XLR8R, Inverted Audio and more, e.g. calling it “solar IDM, breaks-strewn riddims and bleached-out bleepy techno on a cosmic tip”. BAM!

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Seit zehn Jahren bastelt und schraubt David Goldberg an seiner Musik aus dem breiten elektronischen Spektrum. Als Teil des umtriebigen SVS Kollektivs und auch mit seinem Studium der Konzeptkunst und Bildhauerei bewegt er sich ohnehin gerne außerhalb jeglicher Disziplin-Grenzen oder -Konventionen. Mit EMO Serialism auf Molten Moods legt er vier Tracks vor, die eine Brücke schlagen zwischen luftigen Breakbeats, slicker Cyber-Romantik und hintersinnigen Techno-Schiebern. Das Groove-Magazin präsentierte gestern die EP und auch internationale Seiten wie XLR8R, Inverted Audio feiern sie so richtig ab!

Telekom Electronic Beats pres. MOLTEN MOODS
w/ Barker, David Goldberg, Jonas Yamer, Kessel Vale
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Once again, we hung out at BLITZ club during the week and listened to our favourite music together. And yeah, this session was definitely one to be shared!

Have fun listening to our second podcast with music selected by Julietta, Lara, Muallem, Roland Appel, Skee Mask and Stenny.

There’s no real concept, just a bunch of friends hanging out and listening to some quality tunes with loads of stupid jokes, booze & fun!

Blitz resident crew and friends x

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Wir haben uns mal wieder unter der Woche im BLITZ Club getroffen und unsere Lieblings-Tunes gemeinsam gedroppt. Heraus kam eine Session, die geradezu prädestiniert war geteilt zu werden

Viel Spaß beim Hören unseres zweiten Podcasts, selected by Julietta, Lara, Muallem, Roland Appel, Skee Mask und Stenny.

Ein wirkliches Konzept gibt es nicht; nur ein paar Freunde, die herumhängen und ein paar gute Stücke hören, mit vielen dummen Witzchen, Alkohol und Spaß!

Blitz Resident Crew & Friends x

https://soundcloud.com/oskar-miller-944784616/blitz-listen-002

In March 2017, Daniel Brandt, co-founder of  Germany’s electro-acoustic ensemble Brandt Brauer Frick, released his solo debut album “Eternal Something” on Erased Tapes.
What has started as a simple idea in the Taunus region, in his father’s forest hut – equipped with some drum cymbals – finally became much more complex than imagined; it eventually turned into a trip to Joshua Tree National Park in California and a car full of guitars, resulting in Daniel’s first solo album.
An album that embodies the idea that, albeit starting with a specific idea, external influences and environments always drive the process forward and create an “Eternal Something”. The musician, who lives in Berlin and London, recorded all the instruments himself, with the exception of trombone (Florian Juncker), hang drum (Manu Delago) and cello (Andreas Voss).
Accompanying the album, Daniel made a film out of hundreds of Youtube videos to create kind of a modern day gritty found footage Koyaanisqatsi. Watch the full film below.

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Daniel Brandt, Mitbegründer des Elektro-Akustik Ensembles Brandt Brauer Frick, wird Teil der Erased Tapes Familie und veröffentlicht am 24. März 2017 sein Solo Debüt-Album “Eternal Something”.
Was im Taunus in der Waldhütte seines Vaters – mit einigen Schlagzeug-Becken ausgestattet – als einfache Idee begann, wurde auf einer Reise in den Joshua Tree National Park in Kalifornien und einem Auto voller Gitarren schließlich doch wesentlich vielschichtiger als gedacht und resultiert in Daniels erstem Solo-Album.
Ein Album, welches die Idee verkörpert, dass obgleich man mit einer spezifischen Idee startet, äußere Einflüsse und Umgebungen den Prozess immer vorantreiben und ein fortwährendes Etwas („Eternal Something”) schaffen. Der in Berlin und London lebende Musiker spielte alle Instrumente selbst ein, mit Ausnahme von Posaune (Florian Juncker), Hang Drum (Manu Delago) und Cello (Andreas Voss).
Begleitend zum Album hat Daniel einen Film aus Hunderten von Youtube-Videos zusammengeschnitten, um eine Art modern-maserigen Found-Footage-Koyaanisqatsi zu schaffen. Das Ergebnis könnt Ihr anbei bestaunen.

Daniel Brandt & Eternal Something Live
presented by curt München
Thursday, 11 October / Doors 20:30
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Laurie Spiegel is a composer from my home city Chicago. For years, her pioneering work on the GROOVE synthesizer went largely unheard. In 2012, these works were included on a 2-cd edition of The Expanding Universe (1973-8). It contains over 2½ hours of music created at Bell Telephone Labs during the 1970s. This album includes the first realization of Harmonices Mundi, Johannes Kapler’s purely conceptual composition of planetary motion (1619). It was chosen for the opening track on the “Sounds of Earth” section of the golden record placed on board the Voyager Spacecraft in 1977. The Expanding Universe is one of my favorite records to listen to with friends and has been the soundtrack to many quiet moments of reflection, confrontation with the Other and love. It will be a perfect evocation before the ecstatic chaos I intend to conjure behind the decks at.
– Eris Drew

It wasn’t until he turned 21 that Berlin’s piano newcomer Johannes Mergarten found his destiny in playing piano. After an intense period of jazz studies in Munich, a desire to immerse himself in Berlin’s rich music scene initiated a move to Neukölln. Within months he met Martyn Heyne of Lichte Studio – who had previously worked with artists such as Nils Frahm and Lubomyr Melnyk – and soon the recording of his debut album was underway. Johannes Mergarten became the latest signing to the Berlin based underground Label “Lenient Tales”.

Watch excerpts from his concert at Villa Neukölln in January below.

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Erst mit 21 Jahren fand der Berliner Piano-Newcomer Johannes Mergarten seine Bestimmung im Klavierspiel. Nach seinem eingehenden Jazzstudium in München zog es ihn nach Neukölln, von wo er in die üppige Berliner Musikszene eintauchte. Innerhalb weniger Monate lernte er Martyn Heyne vom Lichte Studio kennen, der zuvor mit Künstlern wie Nils Frahm und Lubomyr Melnyk zusammengearbeitet hatte, und sich der Aufnahmen von Johannes’ Debütalbums annahm. Dafür gab’s auch gleich ein Signing vom Berliner Underground-Label “Lenient Tales”.
Johannes Mergarten live am Piano ist jedenfalls ganz großes Kino! Checkt die Aufnahmen von seinem Konzert in der Villa Neukölln im Januar.

Johannes Mergarten (live)
Doors 21:30 / Begin 22:30
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„Always coming back to listening to this album by Sade. It calms me down and it always sets a good vibe no matter what’s happening. All the beauty of music in this one.”
– Etapp Kyle

„Simply one of my favorite techno albums. The incredible sensibility and equilibrium between harmony and pulsating drum patterns, makes Strike a record capable to guide you through a really immersive journey. A true masterpiece!“
– Stenny

Within the next few days, Munich’s festival summer season finally starts into its hot phase with the much sought-after (and completely sold out) Back To The Woods Open Air at Garching Forschungszentrum.
After a striking cast of international acts and local heroes perform during daytime “Am Waldrand” and “Im Unterholz”, the party continues at Blitz until the early morning. Check the full open air info and timetable on Kellerkind’s Website and Facebook.
Buckle up for Ostgut Ton’s Anthony Parasole and Etapp Kyle alongside Munich luminary Roland Appel, plus versatile mastermind Mirko Hector, Mule Musiq founder Toshiya Kawasaki and Brooklyn-based producer Octo Octa next door.

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In wenigen Tagen starten wir in die Hochphase des Münchner Festivalsommers mit dem hochgeschätzten (und komplett ausverkauften) Back To The Woods Open Air am Garchinger Forschungszentrum.
Nachdem tagsüber “Am Waldrand” und “Im Unterholz” ein top Lineup aus international angesagten Acts und Local Heroes hinter den Plattentellern steht, geht anschließend im Blitz noch schön weiter bis zum nächsten Morgen. Weitere Infos dazu gibt’s auf der Kellerkind-Homepage und den Timetable auf Facebook.
Des Nächtens gibt’s feinsten Machine Funk von den Ostgut Ton Acts Anthony Parasole und Etapp Kyle und unserem Resident Roland Appel, sowie nebenan eher flockigere 4/4 Styles von Impressario Mirko Hector, Mule Musiq-Gründer Toshiya Kawasaki und Brooklyn’s großartiger Octo Octa.

BACK TO THE WOODS OPEN AIR 2018 AFTERPARTY
w/ Anthony Parasole, Etapp Kyle, Roland Appel
plus Mirko Hector, Toshiya Kawasaki, Octo Octa

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